Media Reflection #2

Through the Camera Lens: Reflections on My Development as a Movie Maker


        To a great extent, my previous knowledge or skill level as a video editor was based on intuition and inferred knowledge. For example, I had used a camera in the past, mostly in an informal, intuitive capacity, like filming a quick video on my phone or learning basic functions on a DSLR in a trial-and-error kind of way, not really knowing what any button actually did in technical terms. Compositionally, everything was drawn from what basically “looked” right at the time, without necessarily making aesthetic decisions about placement or using said placement in a meaningful, strategic, or deliberate visual narrative.

        Establishing the setting before the lesson was also relatively brief. I didn’t focus much on lighting, staging, or the actors’ position in the environment. If the location was accessible, then I simply worked with the setting. Using props could often be an afterthought. This often led to the setting being flat, even if the concept was good. Now, I see that I was not capitalizing on the setting as effectively.

        However, the one thing that I was least confident in before this class was editing. While I grasped the basic cut-moving the clips around and placing them in sequence-but didn't really consider pace, rhythm, or continuity. Edits were functional, not expressive. Transition and sound were particularly weak points, and time and time again, I underrated how much editing shapes the final meaning of a scene.

        Being in this course has significantly changed how I approach all three of these skills. Now, I think of the camera as a storytelling device rather than a recording tool. Choices like shot size, camera movement, and angle feel purposeful. When setting up a scene, I am much more aware of lighting, composition, and how actors are positioned within the frame. I have learned that even small adjustments dramatically change how a scene feels. Editing has, therefore, become even more of a thoughtful process. I pay closer attention to the pacing and how cuts are affecting tension and clarity. Sound and visual continuity are no longer afterthoughts; each is an essential component of the story.

        Now, looking forward to the Film Opening Sequence project in the next semester, I recognize that there is always room for growth. What I would like to work on in the next semester is my comfort level with lighting design, more complex camera motion, and quick and precise editing techniques. However, this class has definitely put me on solid ground in understanding what I must work on in order to complete that project successfully.




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